Hedgeneering Blog

  • Bolex,

    Treblinka

    82nd anniversary of the revolt on August 2nd 1943

    82 years ago to this day, on the 2nd of August 1943, the six hundred or so Sonderkommandos of the death camp Treblinka revolted. Sonderkommando is a German word that refers to prisoners forced to carry out Nazi atrocities in the death camps of the Holocaust.  Around three dozen SS operated Treblinka assisted by some 200 Trawniki men (mostly Ukrainians, Lithuanians and Belorussians recruited by the SS). During the Treblinka revolt about 200 Sonderkommandos made it out of the perimeter fence, 67 are known to have survived Treblinka and tell the world of the crime that happened there.

    In Treblinka the Nazi boast was that they could process 3000 people in 45 minutes from door to door. That is from the time the train carriage doors were opened, and the victims unloaded onto the platform with the fake ticket office and fake clock, to the time the gas chamber doors were opened and their dead bodies taken out to be buried in the pits or burnt on the pyres. One of Treblinka’s survivors, Richard Glazer, said that the largest number of people slaughtered in one day at Treblinka was 18,000.  He published the story of his time in Treblinka under the title, Trap With A Green Fence, it is compelling reading. 

    The number of people slaughtered in Treblinka varies and is usaually underestimated at between 700,000 and 900,000. The first trainload of victims to be processed in Treblinka arrived on 23rd June 1942 with 6000 Jews from the Warsaw ghetto. The last train load was processed on 19 August 1943 with victims of the Bialystok ghetto.  The Hölfe Telegram, discovered amongst declassified WWII archives of the Public Record Office in Kew, England, states the official record of victims processed in Treblinka during its first five months of operation up to the end of December 1942, at 713,555. The fourteen month total of victims at Treblinka was gathered by the station master Franciszek Zabecki who was connected with the Polish resistance. “I know,” Zabecki stated, “the others guess. There were no German papers on which to base these estimates except those I rescued and hid – and they are inconclusive. But I stood there in that station day after day and counted the figures chalked on each carriage. I have added them up over and over and over. The number of people killed in Treblinka was 1,200,000 and there is no doubt about it whatsoever.” Revision of Franciszek Ząbecki’s estimate by his son Piotr tallies the figure at 1,297,000. Perhaps Franciszeki’s lower total included an estimate of error.

    In my opinion the Treblinka saga is the deepest, darkest, depth of evil that humanity has ever descended. The revolt is a narrow beam of light illuminating it. Guilt for the crime goes way beyond Nazi Germany. It is a consequence of discrimination and persecution of Jews by Christians for more than a millennium. Until the recent Israel-Gaza war, the Christian world showed remorse for the Holocaust knowing well the guilt of past generations. Now the world stands with frozen hearts while witnessing Israel perpetuate it’s own version of genocide against Palestine, a crime equally as disturbing and evil as that committed by the Nazis against the Jews of Europe.

    Will we never learn?

    Palestine Freedom Flag,

    Hedge

  • Bolex,

    June Snow

    My Country
    and my edit to Dorothea MacKeller’s poem.

    When the snows fall, adding a different flavour to the natural beauty of Yaouk Valley, it makes me want to edit the second verse of Dorothea Mackeller’s My Country, and substitute the word ‘snowy’ in place of ‘ragged’. Perhaps Dorothea never visited the Australian alpine region during winter before she wrote her often quoted poem.

    The following four photos were taken in the valley on Wednesday 26th June 2025.

    Snowy Sunset,
    Snow Workshop,
    Snow Workshop,
    Feeding the cows in snow,

    I love a sunburnt country,
    A land of sweeping plains,
    Of ragged snowy mountain ranges,
    Of droughts and flooding rains.
    I love her far horizons,
    I love her jewel sea,
    Her beauty and her terror
    The wide brown land for me.

  • Bolex,

    I Fall Down

    Music-video clip made for the band:

    Age Of Menace

    The inspiration for the editing style in this video came from the quick cutting technique Sergei Eisenstein used during the machine gun firing scene in his film Oktober (Ten Days That Shook The World). Einstein’s Oktober was made in 1928, the silent era of film, to celebrate the tenth anniversary of the Russian Revolution. The alternating short cut edits work as a visual imitation of the rapid firing sound of a machine gun.  

    Google says of it: In his film October, Sergei Eisenstein used a rapid-fire-montage during the machine gun firing sequence. This technique involved alternating quickly between shots of the machine gun and artillerymen, with each shot lasting no more than a frame, creating a sense of chaos and violence. This “dialectical montage” aimed to synthesize the cause (the machine gun) and effect (the firing) into a single, powerful image.

    The live footage was shot with four cameras during an Age Of Menace gig at the Bald Faced Stag Hotel, Leichhardt, Sydney, in 2011.

    Rob Smith – Vocals

    Matt Lyon – Bass Guitar

    Adam Breakspear – Drums

    Peter Ross – Guitar

    Cameras: Caroline Birkett, Bianca McMahon, Hedge

    Video Edit: Hedge

    Stock footage from Eisenstein’s 1928 film, Oktober.

    In celebration of May Day.

    Cheers, Hedge.

  • Bolex,

    Roger

    “I’m an executive driver.”

    This post is for you Tim.

    I learnt many lessons in this project. One memorable piece of advice that Matt expressed in frustration, while trying to steady the camera on his shoulder, filming you from the back seat through the back streets of Stanmore, is still lodged firmly in my brain and reinforced every time I step into a vehicle and drive off: “Try and separate your emotions from your foot on the accelerator.”

  • Bolex,

    Todays Media Share:

    Pawn

    by

    Spookyloop

    This gem from the last century was written by Rose Ertler.

    Bazil Ertler is on Bass Guitar.

    I play the drums and operate the camera.

    The film clip is a single 100 foot roll of 16mm film double exposed and shot using a Beaulieu camera. All the edits are in-camera. The footage was shot in the Troy Horse studio, Redfern, while we were recording our four track EP.

    Cheers, Hedge.

  • Bolex,

    Playing with this multimedia page today:

    The photo below is of a square revolving stage that I had a large role in fabricating. It was a Sydney Theatre Company build designed by Marcus Kelson. The photo shows it being tested for the first time in the wharf workshop.

    Revolving Stage,